OUR JOLLY CORNERS
Henry
James could have written “The Jolly Corner”, one of his last short stories,
only at the time of life he did and I had the fortune to find it at just the
right time in my life. It is, however, a story that could speak to all of us
for, no matter our lives in later years, who does not have their own jolly
corner deep back in their memory from what often are or at least ought to be
the best years of our lives? No matter where or how we spent our childhood
there was a place we called home where our wonders and dreams were formed,
where we spent our years of innocence and optimism and made it our own jolly
corner.
In
the 1900s, his last full decade alive, James was reflecting on a life that to
most would seem like a life exceptionally well spent. And yet, in 1903 came his
most revealing tale, “The Beast in the Jungle”, about a blue-blooded American
ex-pat who at old age and at the death of the woman who stood by him for
decades reflects on a life wasted awaiting a grand but superficial turning
point when the opportunity of starting a life with a loving woman was before
him all along.
“The
Jolly Corner” is also about an aging ex-pat, Spencer Brydon, returning to New
York after nearly thirty years in Europe, mirror James’s own return to the city
after spending the majority of his adult years across the Atlantic. There is
also in this story a loyal woman, Alice Staverton, by his side who cannot seem
to get close to him; Brydon cannot open his heart.
The
purpose of his return to America is to decide the fate of the house in which he
started life before embarking for Europe; once the income sustaining his life
abroad now a desolate abandoned mansion in a city that has developed and
expanded to a point almost beyond recognition for a man who left it in his
prime.
There
is another element at play here. James once more returns to the realm of ghosts
but like “Turn of the Screw” and, to a lesser extent, “The Friends of the
Friends”, the ghosts of James’s stories haunt our minds more than tingle our
spines.
The
ghost or, more accurately, the apparition that manifests itself is, in a sense,
a symbol of what John Marcher, the protagonist of “The Beast in the Jungle”,
came to realize just too late at the end of that story, the “ghost” of a life
lost, missed through pride, willful blindness and selfishness.
“The
Jolly Corner” came on the heels of James’s return to America and found his home
country almost unrecognizable, a journey chronicled with much bitterness in his
American Scene. “Jolly Corner” acts as a postscript. With his parents,
siblings and even parts of his home city gone, did James mean this story as
something of a cry of remorse? He would go on to say that if he could do it all
over again he never would have left the States for so long.
The
apparition he sees (or thinks he sees) in his old house is a manifestation of
what he left behind there, the life he never lived and the life he could have
lived. In the scant details he notices about the specter haunting the darkened
halls which years earlier had been filled with the sound of his laughter he is
able to recognize that the apparition is merely himself in an alternate
timeline, in a timeline where he stayed behind with his family. He is haunted
not only by his past but by a life that never was.
“The
Jolly Corner” could not have touched me on so personal a level had I not read
it at 40, a cross road in life between youth and middle-age. I’ve done much
reflecting on my life and the life that could have been, sometimes with haunting
results. Those memories are sparked the most vividly when I visit my own jolly
corner either physically or mentally. So many of the people who were a part of
my happiest years have gone as has the child I used to be when life was free
(for me) of cynicism and imagination dictated my plans. Much like New York City
did for Spencer Byron so has Boston changed for me. More than a century later
the cause was gentrification rather than urban sprawl. Yes, visiting our jolly
corner can be sobering but they are there to remind us of where we came from
and, maybe, in doing so, guiding us to who we want to become.
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